In an NPR Fresh Air interview in 2010-when the musical was being revived on Broadway-Bacharach discusses the number of rhythmic meter changes in the title song, “Promises, Promises,” and the difficulties these rhythmic changes presented for singers and musicians in the show. The show contained a number of songs that topped the charts, most notably Warwick’s version of the show-stopping “I’ll Never Fall in Love Again.” The 1968 show “Promises, Promises” was groundbreaking in its use of amplification in the orchestra, which included a rock band. Bacharach also won the Oscar for best original score.Īdding to success on the charts and on screen, Bacharach also won acclaim for his work on Broadway. Thomas in the Western Butch Cassidy and the Sundance Kid, won the Academy Award for best original song. In 1969, Bacharach and David’s “Raindrops Keep Falling on My Head,” sung by B.J. The 1966 Michael Caine film Alfie is perhaps equally known today for the title track, with versions by Cher, Warwick, and British singer Cilla Black all becoming hits on the back of the film. The music of David and Bacharach also worked on a different level-as the background to movie soundtracks. Years later, The White Stripes transformed “I Just Don’t Know What to Do With Myself” into a stripped-down, guitar-heavy slice of rock. In the hands of Isaac Hayes, the sweet refrains of “Walk on By” becomes a psychedelic funk classic. ![]() The songs were so well written that they could easily be reworked into different genres, and break the confines of “easy listening”-a genre often maligned as unhip. ![]() ![]() Through collaborators, Bacharach’s music was able to reach a fairly diverse audience. The list of artists who found success with Bacharach songs in that era is astonishing: Aretha Franklin, the Carpenters, Dusty Springfield, Tom Jones, and the 5th Dimension, to name just a few. Others, like Perry Como, were already established singers. Some, like Warwick, were plucked from relative obscurity. Her warm tones and fluid phrasing made Warwick’s voice the perfect accompaniment to Bacharach’s music.īut she was one of many collaborators.
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